MITTWOCH, 28.01.2015 / 19.00 Uhr
Vortrag der Künstlerin über What is happening before the work is done / The process in der Aula der Akademie.
Pressetext der AdBK:
Over the years, Annika Eriksson has produced a large number of works in which the perception of time, structures of power, and once acclaimed social visions are called into question. Eriksson plays with the debates around the public realm and structures that regulate it, revealing the changes and how this is subject to unexpected appropriations and inversions.
Recent exhibitions include “Now you see us now you don't”, Krome Gallery, Berlin (2014), 13th Istanbul Biennale; “Constellation Donostia”, Museo San Telmo Donostia, San Sebastian (2013), “When Attitudes Becomes Form Become Attitudes”, CCA Wattis, San Francisco and Museum of Contemporary Art, Detroit; The Best of Times, “The Worst of Times: Rebirth and Apocalypse in Contemporary Art”, Kiev Biennale; Shanghai Biennale, (2012), “The Trilogy”, Künstlerhaus Stuttgart (2011). Annika Eriksson is a Swedish artist living in Berlin.
Pressetext der AdBK:
Over the years, Annika Eriksson has produced a large number of works in which the perception of time, structures of power, and once acclaimed social visions are called into question. Eriksson plays with the debates around the public realm and structures that regulate it, revealing the changes and how this is subject to unexpected appropriations and inversions.
Recent exhibitions include “Now you see us now you don't”, Krome Gallery, Berlin (2014), 13th Istanbul Biennale; “Constellation Donostia”, Museo San Telmo Donostia, San Sebastian (2013), “When Attitudes Becomes Form Become Attitudes”, CCA Wattis, San Francisco and Museum of Contemporary Art, Detroit; The Best of Times, “The Worst of Times: Rebirth and Apocalypse in Contemporary Art”, Kiev Biennale; Shanghai Biennale, (2012), “The Trilogy”, Künstlerhaus Stuttgart (2011). Annika Eriksson is a Swedish artist living in Berlin.
